Let's talk Aguachile Alley
by mellowgold » Mon Dec 17, 2018 11:34 am
i also keep thinking about the house that had all the dogs heads hanging on the wall
wimbledon, strawberries, bubbles, please protect me. happy midsumma, hope you spend it in your heart, everyone is there. bitch.
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by jefe górgory » Mon Dec 17, 2018 11:36 am
Oof yeah. I loved that whole sequence. Gotta rewatch this soon
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by Barthes Starr » Mon Dec 17, 2018 11:51 am
saranclaps wrote:Someone was complaining to me that this was "too artificial" with a "lot of digital trickery and CGI." I didn't catch much CGI—any idea what the fuck they on about?
i think i read somewhere that cuaron's only option was to use CGI in order to make that car so dang big
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by Thrustin Jeroux » Mon Dec 17, 2018 11:52 am
yeah he used michael bay's CGI car guy, winston
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by jefe górgory » Mon Dec 17, 2018 11:57 am
I heard to make it safe for the actors,
the ocean is actually a bunch of PAs waving green screen sheets edited in postToggle Spoiler
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by powderfinger » Mon Dec 17, 2018 12:04 pm
saranclaps wrote:Someone was complaining to me that this was "too artificial" with a "lot of digital trickery and CGI." I didn't catch much CGI—any idea what the fuck they on about?
This is not a complaint of mine, but it's fair to say that the cinematography had a very "digital" look. Obviously, since it was shot in a 65mm digital format.
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by jefe górgory » Mon Dec 17, 2018 12:30 pm
Yeah that was one of his main intentions to make it very clear that it was digital black and white.
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by Thrustin Jeroux » Mon Dec 17, 2018 12:33 pm
yeah he said he wanted to look at the past through the perspective of the present which is why he used digital. he didn't want any grain.
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by pzadvance » Mon Dec 17, 2018 12:59 pm
i think this movie is basically a masterpiece of beautifully observed quotidian details that is almost undone by a few highly Structured moments towards the end where Cuaron piles on the dramatic coincidences and puts *just* too fine a point on Cleo's emotional arc. the rest is so good im practically willing to write these off as nitpicks i just wish he had stayed the course and hadn't fallen prey to the same traps of overwriting that Gravity is (far more) guilty of
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by easy » Mon Dec 17, 2018 1:51 pm
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by Feech La Manna » Mon Dec 17, 2018 2:01 pm
I need fan theories on why that dog was pooping so much
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by easy » Mon Dec 17, 2018 2:03 pm
Roma = the moon??
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by Thrustin Jeroux » Mon Dec 17, 2018 2:04 pm
with all that poop the movie shoulda been called AROMA
thank you
thank you all and have a good night
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by easy » Mon Dec 17, 2018 2:07 pm
folks, the movie’s on Netflix
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by Thrustin Jeroux » Mon Dec 17, 2018 2:12 pm
you can watch it while pooing
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by Fr. Blanc » Mon Dec 17, 2018 2:13 pm
lots of poop talk itt so far, where my piss-heads at!?
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by Fr. Blanc » Mon Dec 17, 2018 2:14 pm
the piss is an underrated part of Roma
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by Barthes Starr » Mon Dec 17, 2018 2:29 pm
in the biz we call this technique Post Optical Ordure Production
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by shame dawg » Mon Dec 17, 2018 4:06 pm
"Hey. I like being dead"
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by iacus » Mon Dec 17, 2018 4:35 pm
saranclaps wrote:Someone was complaining to me that this was "too artificial" with a "lot of digital trickery and CGI." I didn't catch much CGI—any idea what the fuck they on about?
Apparently some of the shots in this (specifically the one of Cleo turning off the lights) were actually stitched together from multiple camera set ups, because they couldn't place the camera where it needed to be to do it in one continuous pan. I didn't notice and only learned about it later.
My main take away from this was that digital 65mm cameras are a thing and can look really good. Really hope a lot more movies are shot on them.
(there was a hyperbole)
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by Seamus » Mon Dec 17, 2018 4:51 pm
this was great visually but kind of boring otherwise. lots of poop though.
Thanks, admin.
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by OKterrific » Mon Dec 17, 2018 5:07 pm
every time I see the title of this movie I imagine Trump saying it the way he says "Huma!"
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by Eyeball Kid » Mon Dec 17, 2018 9:27 pm
Feech La Manna wrote:I need fan theories on why that dog was pooping so much
Movie plays pretty loose with time. Several days/weeks pass without comment, so I don't think the dog pooped an unusual amount.
The film left me kinda cold, though the climatic beach scene was great, and I was a fan of the dog heads.
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by Eyeball Kid » Mon Dec 17, 2018 9:29 pm
powderfinger wrote:saranclaps wrote:Someone was complaining to me that this was "too artificial" with a "lot of digital trickery and CGI." I didn't catch much CGI—any idea what the fuck they on about?
This is not a complaint of mine, but it's fair to say that the cinematography had a very "digital" look. Obviously, since it was shot in a 65mm digital format.
The level of detail in the movie theater scene was unreal.
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by dcm » Tue Dec 18, 2018 12:04 am
Yeah there were a lot of really incredible shots but I think that one is maybe the best thing I've seen digital produce in terms of sheer clarity.
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by Feech La Manna » Tue Dec 18, 2018 12:10 am
yeah the shot in the movie theater was something I genuinely felt like I hadn't seen before
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by wong » Tue Dec 18, 2018 4:11 am
This was incredible. Need to see it in the cinema.
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by rushedbehind » Tue Dec 18, 2018 6:07 am
just saw this on the big screen and it fucked me up. what an incredible film
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