just remembered i was watching an interview of billy corgan on youtube last night and he was talking about lil peep and then i like clicked off an went to bed. but wow.
usually he's like "yeah guitar music... i've changed the guitar. no one can reinvent it like i did" and other bullshit claims but he seemed sincere about liking lil peeps music.
I like that song more than any others on the album. I wish it was a bit proggier in the structure.. 2 minutes stretched to 4
James’ solo around 1:30 is shreds vid quality. Like I get the idea of jump in and out kinda solos but the entire thing is slightly off beat and sounds like me jamming over it in my room
My listening experience in balanced mode reveals the great depth of EARTH
i've been listening to adore a bit today. i still feel like i'm new to this bands discog in a weird way, like yeah i've liked 8-9 of their songs quite a bit and play them with some regularity. but with the albums, i just never cared enough to get immersed too much in it.
what i'm finding... this is just a hit or miss band for me i think. siamese dream seems the most solid.
Last edited by Grumby on Fri Dec 14, 2018 6:52 pm, edited 1 time in total.
i feel like i'm always (on every album) just like "oh yeah... these two songs are cool" and i remember them and like them but i find some other track that just kinda seems like a slog and then stop listening
one part of it is that he sometimes has really bad lyrics but still vocalizes it in this way that makes it seem like he's trying to say the most important shit ever but it's actually a real cringe.
I"m not really excited about Jimmy doing new drum tracks for Machina stuff but I guess if I hate the Machina Reborn mixes the other ones still exist so whatever. I just want to know what Bringing the We(?) is
futurist wrote:for some reason just made me wanna rewatch
It's crazy that this was the last thing they did before Adore. I think that if they'd kept Nellee Hooper on as some outside counsel then the album wouldn't have faceplanted so hard commercially. I mean, I largely love it, but Hooper seemed much more capable of handling Billy's electronic textures than Flood (who was brought in last minute to clean up the tracks that Billy had produced by himself).
After 27 Years, Billy Corgan Finally Reunites With Stolen ‘Gish’ Guitar “It’s an incredible story,” Corgan says of the wild tale that brought the Stratocaster back to Smashing Pumpkins frontman. “It’s a happy day”